![]() ![]() New drummer Vinny Appice replaced original Sabbath drummer Bill Ward, pushing the sound even further from the band's original sludgy approach. Mob Rules delved more into experimentation with keyboards and synthesizers, with auxiliary player Geoff Nicholls adding cinematic synth bedding to the epic churn of "The Sign of the Southern Cross" and spacy atmosphere to "Falling Off the Edge of the World," among other synth contributions. Speedy album opener "Turn Up the Night" is one of the more spirited and pop-friendly moments of any Sabbath record, with a hooky and melodic chorus and Iommi running through fast-paced leads and trills that were no doubt taking notes from Eddie Van Halen, who was perhaps the most celebrated guitarist in the world in 1981. ![]() Tony Iommi's signature guitar playing takes on new forms throughout the album, with Zeppelin-esque riffing on "Slipping Away," slithering bluesy rock playing on "Voodoo," and a strikingly different approach to soloing, shifting from the laser-focused slow burn of early Sabbath albums to a more frenetic, technically showy style on some tracks. 1981's Mob Rules was a quick follow-up to Heaven and Hell, continuing the momentum of that record's energy as well as its shift away from dark metal to more commercial hard rock. The album would be their first with new vocalist Ronnie James Dio, whose passionate, controlled wail broke new ground for the band and helped drive a comeback. After a steady decline in both inspiration, mental stability, and commercial appeal throughout the second half of the '70s, metal icons Black Sabbath were reborn with 1980's Heaven and Hell.
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